Charlotte Wood

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The Australian has described Charlotte Wood as 'one of our most original and provocative writers.'  She is the author of five novels and a book of non-fiction. Her latest novel, The Natural Way of Things, won the 2016 Indie Book of the Year and Indie Fiction Book of the Year prizes, has been shortlisted for the Stella Prize and the Victorian Premier's Literary Award, and longlisted for the Miles Franklin Award. It will be published in the UK and North America in 2016.  Charlotte was also editor of the short story anthology Brothers and Sisters, and for three years edited The Writer's Room Interviews magazine. Her work has been shortlisted for various prizes including the Christina Stead, Kibble and Miles Franklin Awards. Two novels -  The Children and The Natural Way of Things - have been optioned for feature films.

Listen: Charlotte Wood talks to Richard Glover about The Natural Way of Things

Listen: Charlotte Wood in conversation with Richard Fidler on ABC Radio

Food, Ethics and Offal: an interview with Charlotte Wood

Open Page with Charlotte Wood

'The writer's epiphany' - Charlotte Wood on what she learned from interviewing fellow writers about their craft

When did you start writing?
At uni in my mid-20s, but didn’t get serious about it till I was around 30

Who or what was the biggest inspiration for you to become a writer?
Books. I always loved reading, loved sentences. But writers who inspired me in the early days included Kate Llewellyn and Kate Grenville.

Who are your three favourite authors and why?
Hmm, too difficult to say. But I love Richard Ford, Robert Drewe, David Malouf, love Paddy O’Reilly’s new stories, Alice Munro and Helen Garner. They have in common a beautiful humanity, quiet appreciation of the perfect detail and a lyrical precision that’s breathtaking.

Where do you do your writing?
At home mainly. I’ve written on the couch or at the dining table in the past, but now I’m lucky enough to have a studio separate from the house, which is up high and has good windows for stickybeaking at passers-by. But there are times I need to get away and work for an intensive period alone – I’ve worked in friends’ houses, at Varuna in the Blue Mountains, the Kelly St Writers’ cottage in Hobart, at Arthur Boyd’s artists’ retreat at Bundanon, all of which have been hugely productive times.

What’s the last piece of writing you hated and threw in the bin?
I was 50,000 words into The Children when I worked out what it was about. That day I threw out 30,000 words. I didn’t hate them, I loved them! But they had to go. I finished that day with a very stiff gin and tonic! And after I chucked those extraneous words, the novel began to take off.

When you’re not writing what do you do?
Work in journalism, cook lots, muck around in our miniscule garden, hang out with my husband Sean and have lots of friends & family round for dinner.