The Australian/Vogel's Literary Award is one of Australia's richest and the most prestigious award for an unpublished manuscript by a writer under the age of thirty-five. Offering prize money of $20,000 plus publication by Allen & Unwin with an advance against royalties, The Australian/Vogel's Literary Award has launched the careers of some of Australia's most successful writers, including Tim Winton, Kate Grenville, Gillian Mears, Brian Castro, Mandy Sayer and Andrew McGahan.
The Australian/Vogel's Literary Award-winning authors have gone on to win or be shortlisted for other major awards, such as the Miles Franklin Award, the Commonwealth Writers' Prize and the Booker Prize.
Conditions of Entry
• Entrants must be aged under 35 years of age on 31 May 2022 (that is born after 31 May 1987).
• Entries must be lodged by 31 May 2022.
• Entrants must be Australian citizens or permanent residents.
• The manuscript submitted with the entry form should be a work of fiction, Australian history or biography.
• It must be a minimum length of 50,000 words and a maximum of 80,000 words.
• The manuscript must be an original work, entirely by the entrant and it must be written in English.
• It cannot be under consideration to any other publisher or entered into any other award.
• No more than 10% of the manuscript can have been previously published in print form, or in electronic form, on a commercial basis.
• Allen & Unwin will publish the winning entry, and will have exclusive worldwide publishing rights to it, and to any other entry they feel is of sufficient merit.
• Entry fee of $25 is applicable to each manuscript entered.
• The judges’ decision is final and no correspondence will be entered into.
• The judges shall have the discretion to divide the prize equally between authors of entries they consider to be of equal merit. If, in their opinion, no entry is worthy of the prize, no winner shall be chosen. No entrant may win the prize in successive years.
• The winner will be told in strict confidence during September 2022, at which time the winner must agree to keep this news absolutely confidential until the simultaneous announcement and publication of the winning entry in 2023.
• Each entrant is required to agree to the above conditions of entry.
• Breach of any conditions of entry will render an entry invalid.
You will also need to pay the entry fee of $25. (Please note if your entry fee is not received, your entry will not be considered complete and your manuscript will not be included in the award.)
Each entrant is required to complete the entry form, which binds them to the above conditions of entry.
Please scan your completed entry form and attach it to your email.
If you are not able to scan the entry form, please copy and paste the following information into the body of your email:
Date of birth:
Suburb: State: Postcode:
Telephone: (wk) (hm) (mobile)
How you found out about the award:
I, __________________________ agree to the Conditions of Entry.
Step 2. Convert your manuscript and your one-page synopsis to PDF and attach it to your email.
If you are not able to convert your manuscript to PDF, we will accept a Word document.
Step 3. Payment
An entry fee of $25 is payable for each entry and should be submitted to:
Allen & Unwin Pty Ltd
Account no.: 507 671 436
*Please ensure the entrant's name is clearly identified in the relevant field.
We also accept cheque or postal order for $25 made out to:
The Australian/Vogel's Literary Award
PO Box 8500
St Leonards NSW 1590
An electronic acknowledgment will be sent to each entrant upon receipt of entry.
If it is not possible for an entry to be submitted electronically, hardcopy submissions will be accepted. Send completed entry form, manuscript and cheque or postal order for $25 to:
The Australian/Vogel's Literary Award, PO Box 8500 St Leonards, NSW 1590.
The Australian/Vogel's Literary Award is Australia's richest and most prestigious award for an unpublished manuscript and has launched the careers of some of its most successful writers, including Tim Winton, Kate Grenville, Gillian Mears, Brian Castro, Mandy Sayer and Andrew McGahan. Vogel-winning authors have gone on to win or be shortlisted for other major awards, such as the Miles Franklin Award, the Commonwealth Writers Prize and the Booker Prize.
The award began its remarkable life in early 1980 when Niels Stevns, the owner of Vogel bread in Australia, approached the literary editor of the Australian, Peter Ward, about collaborating on a cultural prize.
As a young man in his early twenties, Niels Stevns had come to Australia from Denmark. He had been in his new country for several years when he decided to accompany a sick relative to Switzerland to meet the renowned Swiss naturopath Dr Vogel. This significant meeting led to the establishment of Vogel's bread in Australia and to Stevns' successful and rewarding career. His approach to the Australian in 1980 was inspired by gratitude to his adopted land—he wanted to give something back to the nation which had made possible his flourishing business. Literature and classical music were his two great passions, and after much discussion he decided on a literary award, with the emphasis on providing an opportunity for young writers.
Following Stevns' call, Peter Ward rang Patrick Gallagher, Allen & Unwin's Managing Director, which led to the successful collaboration between Vogel's, the Australian and Allen & Unwin - and to the birth of the Australian/Vogel's Literary Award, with a prize of $10,000 provided by Vogel's for the best manuscript submitted by an author under 30. The Australian undertook to promote the award and Allen & Unwin guaranteed to publish the winning manuscript. In 1982 the age limit of the Award was increased to 35 and the prize money was subsequently increased to $15,000. In 1998 the prize money was further increased to $18,000, in 1999 it increased to $19,000, and it is currently $20,000.
In 1997 the traditional number of three judges was increased to four, in response to the ever-growing number of manuscripts submitted to the Award. The judges, who generally serve a three-year term, are selected from among prominent academics, critics and writers and have included Nancy Keesing, Robert Drewe, Helen Garner, Tom Keneally, Marele Day, Andrea Stretton, Barry Oakley, Geoffrey Dutton, Andrew Reimer, Jill Kitson, Alex Buzo, Cate Kennedy and Geordie Williamson.
Alan Stevns, Niel's son, is now the steward of the Australian/Vogel's Literary Award, which he sees as a lasting memorial to his father.
‘Kruimink’s narrative deftly balances slapstick misadventure and foreboding… the ramshackle quality only adds to the charm and eccentric joy of the whole. As intelligent lockdown escapism, A Treacherous Country has perfect pitch.’ The Weekend Australian
‘With precise and evocative language, A Treacherous Country is a highly accomplished first novel from a young writer worth keeping an eye on.’ Australian Book Review
‘An evocative novel about convict Tasmania…both ripping yarn and a stealthy meditation on the mystery of the world, and the heartbreak at the back of human cruelty…a nightmare image of convict and colonial Australia like no other.’ The Age
‘Kruimink is a sharp observer of fine details, arch dialogue and particularly of the natural environment. Her invocation of the Tasmanian landscape coats your brain, sticking with an oily viscosity…a satisfying exploration of family, compassion and the brief but significant experiences that can alter the course of a young person’s life.’ Kill Your Darlings
‘Kruimink has a distinct and unusual voice that rewards persistence.’ Daily Telegraph
The Yellow House by Emily O'Grady
'A spine-chilling & tightly woven story of the repercussions of horrific crimes & the way they can come to define a family and a town' - Ali Hammond, Dymocks
'Hearty congratulations to Emily O'Grady on being this year's Vogel Prize winner. Such an achievement. Emily's prose is sure and light as she delivers this compelling story about the fabulous character, Cub, and the confounding world she has been born into. A semi-rural setting, our endless fascination with the different faces of family dysfunction, a writing style that is full of light and shadow and grace, this story will be sure to leave the readers heart in their mouth.' - Suzy Wilson, Riverbend Books
'I so enjoyed reading this novel which kept me enthralled to the end. It is a taut and gripping story with emotional tension rippling through every page.' - Jenny Barry, Books Plus
'...a strikingly assured and wonderfully original performance ... the fascination with obsession and identity, doubling and imposters, acquires real charge, provoking larger questions about the nature of literary identity, fiction and fictionality, and finally - and most satisfyingly - the fictionality of authorship itself.' - James Bradley, The Australian, May 2017
'The Lost Pages is an efficiently constructed narrative ... [its] creative approach to the historical record is both disorienting and refreshing.' - Gregory Day, The Sydney Morning Herald (Spectrum), June 2017
'An audacious fictional memoir [that] moves flexibly between pathos, humour and suspense ... there is always enough to drive the reader on to two shattering and unexpected denouements.' - Katharine England, The SA Advertiser, June 2017
'Farcical, surreal and utterly unique.' - Readings Monthly, September 2017
'A richly imagined story of the friendship, fraud, jealousy and betrayal within an extraordinary literary rivalry.' - The West Australian, May 2017
'In this profound debut novel, Brabon draws upon theoretical models of memory, mourning and trauma... [in] a story of interlocking layers that questions the power of art... This is a novel that makes you question history.' - Claire Scobie, Sydney Morning Herald, June 2016
'An intelligent, moving, Russia-themed meditation…[this] emotional, historically acute novel is a stirring reminder that Australian literature can rise up to be anything it wants to be.' - Stephen Romei, Weekend Australian, April 2016
'This is a work of insightful exploration... Its contemplation of memory suggests rich reading in the field of trauma and narrative.' - Felicity Plunkett, Australian Book Review, August 2016
'There could only be one winner, and that was Murray Middleton with his wonderful collection of short stories. I think what we saw in that, what we all felt, was that quality that really great writing has. It felt like art. It was deeper, and more satisfying than anything else we read. And I think it was kind of amazing to find that in short stories, we all felt it and all agreed that it was the clear winner.' - Rohan Wilson - Vogel's Award winning author of The Roving Party, and To Name Those Lost
'Vivid and compelling, these short stories, which echo the experiences of modern life, are marked by strong settings and scenarios. Title story "When There’s Nowhere Else To Run" nails the pathos and awkwardness of dealing with the loss of a friend beautifully.' - Jenny Barry - BooksPlus, Bathurst
'Assured, witty and wise' - Stephen Romei - Literary Editor, The Australian
'A brave, profound meditation on identity, trauma, loss and courage... reminds us that there are two sides to every war and that history never ceases to be written... A novel that demands its place alongside Richard Flanagan's The Narrow Road to the Deep North and Mark Dapin's Spirit House.'
Stephen Romei, The Australian
'Piper draws us deeper and deeper into the compelling story of Tomakazu Ibaraki, a man whose strengths – discretion, honour and loyalty – also lie at the heart of his personal tragedy.'
Danielle Wood, winner of The Australian/Vogel's Literary Award in 2002
'[Eleven Seasons'] account of a fatherless boy growing to manhood in suburban Melbourne is melancholy and occasionally brutal. That we come to care for a man whose progress is stumbling and whose actions are sometimes despicable is a tribute to Carter's empathetic powers.'
Geordie Williamson, The Weekend Australian
'Eleven Seasons is 11 fast-flowing chapters, a river sometimes turbulent, sometimes smooth, but always engaging. It's Australian and it's real.'
Harry Brumpton, Courier-Mail
'Carter captures the tensions of adolescence with accuracy.'
Novel of the Week, The Week, 1/6/2012
'Paul D. Carter hasn't played football since he was a child, but the spirit of hte game pulses across almost every page of his debut novel, Eleven Seasons... Carter's story joins an honour roll studded with literary heavyweights such as Time Winton and Kate Grenville.'
Melbourne Times Weekly
'This is a splendid first novel that succeeds admirably where others have sometimes come to grief. The Roving Party is distinguished by Wilson's tactful and restrained account of a brutal episode in the history of the conflict between European newcomers and the original inhabitants of Van Diemen's Land ... Wilson builds up a picture of a world out of joint, where the old ways have decayed. There is no preaching, no appeal to emotions or reliance on sensationalism. With a cool, Flaubert-like detachment,Wilson allows things to speak for themselves. But there is, of course, careful selectivity, an art that conceals its artfulness, at work here.'
The Sydney Morning Herald
'...an eloquence and intensity ... (The Roving Party) impelled the judges' attentions like no other book ... Wilson ...is a novelist born ... it is the language with which the author relates events that arrests the reader most. It is self-consciously archaic, comma-wary,a combination of fragments and rolling sentences that combine gruesome verisimilitude with hallucinatory flights. It immediately recalls the prose of that master of southern gothic, Cormac McCarthy. Yet the locale and the characters are so different it does not feel like pastiche. The style is renewed by the fresh world it is obliged to describe, and in doing so furnishes passages of graven elegance.'
'Kristel Thornell's imagining of Clarice Beckett's life is elegant, potent and picturesque.'
'Nothing much perhaps happens in the narrative, except a life devoted to painting – but that is enough. A book of beauty.'
'Whether or not you are familiar with the work of Clarice Beckett, this sensitive novel about that talented young painter will captivate... Night Street is a beautifully paced read, and as atmospheric as a Clarice Beckett landscape.'
Bookseller & Publisher
Utopian Man by Lisa Lang
'Utopian Man is wonderfully rich in its narrative design and Lang does a brilliant job of returning Edward to life. If his enterprise ever wavers on the carnivalesque, it is tempered by Lang's subtle restraint, her language bright and affecting … This is a warm and intelligent novel, full of infective joy. It should come with a warning: reading this book may inspire you to do great things with your life.'
Australian Literary Review
'Lang draws skilfully on the conventions of the popular romance to play out Cole's wonderful contradictions, pitting reason against the imagination, light against dark and the goodness of man against the corruptive influence of self-interest. The work is a marvellous achievement.'
The Weekend Australian
'...a story so gripping...that everyone will want to devour it. And so they should, both for its human interest and for its reminder of one of the most notorious episodes in our national history.'
Australian Book Review
'Croome negotiates the complexities of the troubled times and brings a particularly humane perspective to a story that continues to hold the popular imagination.'
The Weekend Australian
'The Magda Szubanski dream sequences are surreal, beautiful, literary… George's first person narration is honest, straightforward, often hilariously apt, and all too human… This is an absorbing novel and obviously well deserved its Vogel win. It should appeal to most sensibilities, old and young.'
Australian Bookseller & Publisher
'A beautifully crafted sense of place and hypnotically perfect prose pull the reader in like the coming tide.'
'Castles builds tension to an almost unbearable level with lives at risk... I found it impossible not to read the novel in one sitting. Castles is a worthy winner of the 2006 Vogel Literary Award.'
The Courier Mail
'What a novel it is, full of illusion, teasing us with its inconclusiveness, spinning bleak, intense humour from the straw of failed and doomed relationships... this novel is thoroughly enchanting. O'Connor guides us through Noah's misadventures with admirable deftness, bringing us to an ending that is a triumph of understated drama.'
The Weekend Australian
'With Road Story... Julienne Van Loon shows she is an accomplished author with much to offer.'
'Road Story is rich in detail, and Van Look beautifully captures the vast emptiness of the outback... Road Story is clearly the work of a talented writer.'
'An impressive debut .. With The Alphabet of Light and Dark , Wood's assured sense of place and her confidence with language single her novel out as a distinctively mature work ... translucent prose.'
The Sunday Age
'Skins is an excellent first novel, tightly and evenly constructed, with an accessible, unobtrusive and unforced style'
Australian Bookseller & Publisher
'Sarah Hay's Skins [is] compelling... a powerful evocation of a time and place rarely featured in Australian literary fiction'
Australian Book Review
'Skins is an entertaining, absorbing, instructive novel, worthy of its 2001 Vogel Award'
Sydney Morning Herald
'Well written, sharply observed, perceptive. Strong on characterisation and a sense of place'
'Kate Grenville has transformed an Australian myth into a dazzling fiction of universal appeal. It is a pleasure to be able to praise a true novelist.'
'A very moving and sometimes very funny novel... The surprises and flourishes are in the evocative and poetic writing of the episodes every one of which reveals some detail of human frailness'
'McGahan's book is a bracing slap in the face to conventional platitudes and hypocrisies.'
The Weekend Australian
'Praise is one of those books that takes a hefty bite out of a piece of subject matter, chews it to a pulp and then spits it out.'
2022 - Nell Pierce, A Place Near Eden
2021 - Emma Batchelor, Now That I See You
2020 - Katherine Kruimink, A Treacherous Country
2018 - Emily O'Grady, The Yellow House
2017 - Marija Peričić, The Lost Pages
2016 - Katherine Brabon, The Memory Artist
2015 - Murray Middleton, When There's Nowhere Else to Run
2014 - Christine Piper, After Darkness
2013 - No prize awarded
2012 - Paul D. Carter, Eleven Seasons
2011 - Rohan Wilson, The Roving Party
2009 - Kristel Thornell, Night Street and Lisa Lang, Utopian Man
2008 - Andrew Croome, Document Z
2007 - Stefan Laszczuk, I Dream of Magda
2006 - Belinda Castles, The River Baptists
2005 - Andrew O'Connor, Tuvalu
2004 - Julienne van Loon, Road Story
2003 - Nicholas Angel, Drown Them in the Sea and Ruth Balint, Troubled Waters
2002 - Danielle Wood, The Alphabet of Light and Dark
2001 - Sarah Hay, Skins and Catherine Padmore, Sibyl's Cave
2000 - Stephen Gray, The Artist is a Thief
1999 - Hsu-Ming Teo, Love and Vertigo
1998 - Jennifer Kremmer, Pegasus in the Suburbs
1997 - Eva Sallis, Hiam
1996 - Bernard Cohen, The Blindman's Hat
1995 - Richard King, Kindling Does For Firewood
1994 - Darren Williams, Swimming In Silk
1993 - Helen Demidenko, The Hand That Signed the Paper
1992 - Fotini Epanomitis, The Mule's Foal
1991 - Andrew McGahan, Praise
1990 - Gillian Mears, The Mint Lawn
1989 - Mandy Sayer, Mood Indigo
1988 - Tom Flood, Oceana Fine
1987 - Jim Sakkas, Ilias
1986 - Robin Walton, Glace Fruits
1985 - No prize awarded
1984 - Kate Grenville, Lilian's Story
1983 - Jenny Summerville, Shields Of Trell
1982 - Brian Castro, Birds of Passage and Nigel Krauth, Matilda, My Darling
1981 - Chris Matthews, Al Jazzar and Tim Winton, An Open Swimmer
1980 - Archie Weller, The Day Of The Dog